DOC 234—34/2z
Brooklyn, NY
2023-2024
In my practice, I gravitate towards materiality and nature. How can we as citizens of a shared geography, like Brooklyn, form stronger relationships to the natural world. I am interested in movement and how that movement is continuously configuring and reconfiguring. Instead of taking reference photos, I take reference films, I replay them, overlap images, I make certain layers transparent, and from that overlay, a new image emerges and that is the image I am interested in painting– an entangled and assembled environment or, to use Karen Barad’s sentiment: a diffraction.